Thursday, October 17, 2013

Susan Kathryn Hefti's THE POWER PLAY, or Smart Bombs & Other Sexy Toys





















Nanci Zoppi and Anthony D'Juan rehearsing THE POWER  PLAY, or Smart Bombs & Other Sexy Toys by Susan Kathryn Hefti for PLAYWRIGHTS' REVOLUTION 2013.

Susan Kathryn Hefti is busy working on her new play THE POWER PLAY, or Smart Bombs & Other Sexy Toys.  

A coming of age story about four hopeful graduate students, THE POWER PLAY - which received its first public reading at Capital Stage Company's PLAYWRIGHTS REVOLUTION 2013 - explores the nature of power, seduction and betrayal in the context of U.S. military policies: Threading the personal through the eye of a pointedly political needle, the play wrestles with moral questions evoked by the increased reliance on unmanned drone strikes, the targeted assassination of the American-born cleric Anwar al-Awlaki and the 2009 troop surge into Afghanistan.

To learn more about Susan's plays or to support her work, please visit her profile pages @ Fractured Atlas & Dramatists Guild.

Susan Kathryn Hefti: An Emerging American Playwright


An emerging American playwright, Susan Kathryn Hefti’s plays have been developed or produced at Rattlestick Playwrights Theater NYC; The Lark Play Development Center NYC; The Harold Clurman Playwrights Division at The Stella Adler Studio NYC; St. Mark’s Church-in-the Bowery Theatre NYC; Long Beach Playhouse Theatre CA; Capital Stage Company CA and in Paris at Théâtre Mélo d'Amelie & La Comédie Bastille.

Susan’s newest play THE POWER PLAY, or Smart Bombs & Other Sexy Toys received a Roundtable Reading at the Lark Play Development Center NYC in July 2013. Selected by Capital Stage for its annual New Works Festival PLAYWRIGHTS REVOLUTION, the play also received a staged reading in California in August 2013. THE POWER PLAY is scheduled to receive a second Roundtable Reading at the Lark Play Development Center NYC in November 2013.

AMERICAN DAMES, or Waiting for Dolley (2012 Long Beach Playhouse New Works Festival Finalist; 2011-2012 Harold Clurman Playwright-in-Residence Finalist & Beverly Hills Theatre Guild's 2012 Julie Harris Playwright Award Semi-Finalist) enjoyed readings at both the 2012 Harold Clurman Playwrights Division’s New Play Reading Festival in NYC and the 2012 Long Beach Playhouse Theatre’s New Works Festival in Long Beach, California.

Following a staged reading at St. Mark’s Church-in-the-Bowery Theatre, Susan’s one-act history play A DEFIANT SOUL – which explores religious persecution in 17th century New Amsterdam – was adapted to be used as a teaching tool in workshops led by theatre artist Vernice Miller and has been widely performed by students exploring early NYC history and the establishment of religious freedom in America.

A DEFIANT SOUL also brought Susan a commission from the City of NY to research, curate and write the narrative for the related exhibit on the 1657 document protesting religious intolerance in New Amsterdam. The exhibit – which Susan entitled The Flushing Remonstrance: Who Shall Plead For Us? – was designed to travel around the country following its 2009 NYC debut. In 2010, the history exhibit authored by Hefti enjoyed a NYC encore, extending again due to popular demand and was most recently on display in Philadelphia (2012).

Susan’s other plays include KEEPIN' COOL (2004 Princess Grace Award Semi-Finalist), OFF THE BENCH and DEAR PRUDENCE.
  
A proud member of the Dramatists Guild, The Playwrights’ Center and Fractured Atlas, Susan began her professional writing career as a journalist specializing in environmental news before transitioning into writing for the stage.

In 2009, NY Theater Critic Leonard Jacobs invited Susan to write a regular column for his online magazine The Clyde Fitch Report. Happy to use the opportunity to explore yet another issue close to her heart, Susan dubbed the series The Preservation Diaries.

A 2004 recipient of a PEN American Center Writers Grant, Susan has taught at several Universities including Brown & Yale.